I have scheduled two Do-It-Yourself Flagstone classes at the North Carolina Arboretum this spring.
Saturday April 21 from 9 to 4 at the NC Arboretum
Friday May 4 from 9 to 4 at the NC Arboretum
You can register via the Arboretum’s website.
In April 2010, I spent a day with photographer Steven Paul Whitsitt, touring projects I had done. Just last month the book he was working on was released by Schiffer Publishing. I am very excited by the book which is called Built with Stone: Eight Contemporary Artisans. It includes several projects, including the secretive Cabin on Mitchell’s Peak, a structural stone house I built with Fred Lashley and the Unturned Stone. The book is available from local booksellers and online merchants. There’s some amazing work in there by masons from all across the country.
In April 2012 I will again be offering do-it-yourself flagstone classes at the North Carolina Arboretum. Check back soon for dates and details.
Earlier this week, blacksmith Lynda Metcalfe and I drove to Chapel Hill to put the finishing touches on our collaboration, the Ironwoods neighborhood sign. It was satisfying to see this project through; discussions with the homeowner’s association had started a year ago November. The time invested was well spent. This sign is a work of art.
The sign sits on an island and is visible to traffic in both directions. Each side of the sign has its own flow of vines and is its own piece.
Lynda’s work has great depth. The letters are raised from the back panel and vines wind their way behind the letters, poking through here and there.
In this image from Lynda’s shop, you can see how she lined up the lettering on each side so that one set of fasteners reached through to catch the word Ironwoods running in both directions. Lynda’s primary focus in architectural metalwork; it was great to work with another artisan with such a strong construction ethos. We both aspired to create something strong and beautiful. Craftsmanship should be more than pretty.
(photo by Lynda Metcalfe)
All in all, the experience of working at Ironwoods was unlike any other I’ve ever had in my career. They know how to treat craftspeople. Concerned neighbors brought out orange cones to protect us from distracted drivers. Virginia made me soup. A kindly stranger delivered me hot chocolate (with whipped cream!) on a cold day. Ethan and Logan supplied me with marbles, since I forgot my own back home. I am sincerely grateful for the kindness and enthusiasm shown for the process and the finished product. It is a great joy to create work for people who appreciate it.
Special thanks are owed to Matthew Feldt who saw this project through from a seed of an idea to a fully grown vine. He navigated the design process with grace, championed the project from start to finish and lent his strong back, his photographic eye and even his garage to the effort. The sign doesn’t happen without Matthew. Thank you.
All of the photographs in this blog posting, unless otherwise noted, are by Matthew Feldt.
Back to Chapel Hill for a couple of days recently. The stone structure is finished. It waits patiently under wraps for the ironwork.
Here’s a close up of a wall section. There are two marbles hidden in the wall, gifts from Ethan and Logan. Sadly, the marbles aren’t visible in this view.
I posted a blog entry at Papershine about my visual planning strategies for this project. Click the image to be linked to my other blog.
My current project has me journeying to Chapel Hill to build a entry sign for the Ironwoods neighborhood. Two years ago I built a memorial bench in this same neighborhood for Grandpa Tony. I am delighted that they invited me back to complete this project, a collaboration between myself and blacksmith & artist Lynda Metcalfe. I met Lynda during the Handmade House in the Ramble project and have been hoping to find a way to work with her ever since. I am excited about the collaboration and how the final piece will mesh our two crafts and styles into a seamless design.
The boulders are anchored in concrete and the wall sits on a slab. The wall is structural stone, about fourteen inches thick. The big boulder (roughly 1500 pounds) has a perfect notch for my cell phone.
I used a sheet of foam core to create a template of the boulder’s shape to give Lynda a rough guide as to where her ironwork will tie into the stonework.
Thanks be to Matthew Feldt for the photographs and all his help with this project.
Finished this project today- four small drystone retaining walls. Click the image for a huge view of this section.
I just completed a project in Saluda, North Carolina today. The home was built some time in the 70′s and the existing concrete steps were broken down and needed replacing. New stone walkways were in order as well. I built most of the new walkways over the existing sidewalks, dry laid on a pea gravel bed. The image above shows the new steps; the image below shows the area before we got started. Note the awkward spacing of the original steps; it was hard to hit your stride walking them.
The brick pathways wrap around the house, from the formal front entrance (shown above) to the opposite side of the house, which receives most of the traffic.
This short stretch of concrete was poured recently and broke up quite easily under the jackhammer assault. Most of the sidewalks were poured when the house was built and were a pain to break up. They crumbled into dust and would absorb the jackhammer’s impact. It didn’t help that they were up to nine inches thick.
During the installation process in Gainesville, my friend Mary Padua brought a group of students from the University of Florida to the site. She is a professor in the Landscape Architecture program at UF and a gifted designer and photographer. The students are studying implementation and construction drawings. I talked briefly about the project, about the work in general and designing with stone. At the end of the conversation, I ran through my five suggestions for young designers:
Just as a designer moving to Colorado would set out quickly to learn the local plants, learning about the local geology can be an invaluable asset. The make up of the Earth varies more dramatically from place to place than many realize. Knowing what types of rock are present, their formation and structure can help a designer choose the best application for each. The finished product is stronger and more durable and it looks like it belongs to the place it built. Also, the more you knows about the local geology, the more you can understand about the forces that will actively try to destroy your work such as erosion and earth movement.
Large architecture firms hire large builders. This is cost-effective and helps to ensure compliance with the myriad laws that control construction. But large builders don’t have the vision or the gift of invention that independent craftspeople do. Local craftspeople understand their materials intimately and create distinctive works that celebrate creativity and are meant to last. Employing local craftspeople is the sustainable choice for the economy as well; they spend their wages in their communities and often support other small businesses. Local craftspeople are a fantastic asset to the design process as well, adding a strong practical understanding to the conceptual development of an idea.
Dry stonework is the sustainable choice for landscape applications such as retaining walls, paths, patios, and steps. A well-crafted drystone retaining wall will have a smaller carbon footprint and will outlast a similarly sited mortared wall. I offer a more detailed take on this here.
There’s a misconception that modern materials and techniques are so advanced and technologically sophisticated that they can withstand any assault, resist any force. This is patently false. Water always wins. The forces of weather over time should be a central consideration in the design and implementation of every project.
I expect that most young Landscape Architects will start working in larger firms and over the early years of their design careers get practice at the whole range of design tasks. Many will, at some point, strike out on their own. It’s an amazing journey and incredibly rewarding, but it can be very challenging to start your own business. I encourage everyone to start learning their way around the business side of the design and construction trades now. Project bidding, tax issues and insurance requirements sneak up fast when you set up your own shop. Marketing is often very difficult for the self-employed. Taking classes now and reading books can be helpful. Learning by doing is best, if you can find opportunities to handle the business side earlier
